Rx

"Meghan Romance practice is focused on the questioning of representation in every sense. Frequently combining elements, imagery and textures this work these different frameworks into a single proposition that is scattered across a number of colocated frames. This work operates on two specific registers - the projected image and the surface on which is projected. The image itself is a combination of both formal grid like forms that flow across the screen and gesture elements that evoke not only rich textured surfaces, but drawings, inscriptions, and other forms of pre-linguistic representation that indicate text but for short of becoming the written word. In this exploration of what is often referred to as asemic writing, (or script like drawing) the projection plays a secondary role of producing a series of surfaces rather than a single space and within each surface, a differential reading based on things laser cut into the surface. The surplus of both image and surface creates not one single screen, but multiple of screens that have flow emerging within the context of the work as a whole into a larger cohesive form. This form orders all of its constituent elements into a larger and logical flow where the impression coalescence into a much more unitary and singular unit with organic rhythms that played within and across its dimensional form."